SEARCH RESULTS FOR: Daniel-François-Esprit Auber
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(Dan-yel’ Fran-swa Es-pre’ O-bâr’) 1782–1871 French composer Auber is renowned for his operas and was the leading composer of opéras comiques in nineteenth-century France. He studied with Cherubini in Paris, writing concertos and vocal music before turning his attention to operas. His most important work is La muette de Portici (1828), one of many collaborations with the librettist Eugène Scribe ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

1782–1871, French The French composer Daniel Auber made a favourable impression on his teacher, Luigi Cherubini (1760–1842) with his first opera, L’erreur du moment (‘The Mistake of the Moment’, 1805). However, he had to wait 15 years for popular appreciation until he established himself with two works: La bergère châtelaine (‘The Lady Shepherdess’, 1820) and Emma (1821). ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

‘The Magic Flute’ The librettist of Die Zauberflöte, Emanuel Schikaneder, Mozart’s old friend and fellow freemason, drew on an eclectic variety of sources, including a French novel, Sethos, Paul Wranitzky’s magic opera Oberon (1789) and the oriental fairy tale Lulu. In the bird catcher Papageno, Schikaneder created for himself a character that could exploit ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

1891–1948 Austrian tenor After his debut in Chemnitz in 1913, Tauber was engaged by the Dresden Opera as a lyric tenor. He achieved his greatest fame in operettas, especially those by Lehár; London heard him in Das Land des Lächelns (‘The Land of Smiles’) in 1931. He sang Don Ottavio (Mozart’s Don Giovanni) at Covent Garden shortly before his ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

b. 1942 Israeli conductor and pianist Barenboim studied in Salzburg and Rome, and under Nadia Boulanger in Paris. He made his UK debut as a pianist in 1956, but turned to conducting in the 1960s with the English Chamber Orchestra. He was music director of the Orchestre de Paris 1975–89 and the Chicago Symphony Orchestra 1991–2006, in both ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Vocals, b. 1961) Irish-born O’Donnell has gained a large UK audience through his easy listening-styled covers of sentimental pop standards, Irish favourites and country ballads, since signing with Irish label Ritz Records in 1986. In 1991, his albums held six of the top seven positions in the UK country chart, and his albums and singles have ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Singer-songwriter, b. 1976) Mainstream in every sense of the word, be-hatted Canadian Powter has really made a career from the success of one, admittedly enormous, single. ‘Bad Day’ (2005) was initially supposed to soundtrack a Coca Cola advert, but was subsequently a test for American Idol entrants – as big a fast-track to recognition as is ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Bandleader, 1890–1969) W. Lee O’Daniel rose to fame as the leader and announcer of The Light Crust Doughboys. President of the band’s sponsor Burrus Mill, he disliked their music and had little respect for the musicians, but he was ambitious – and used the band as a tool for self-promotion. After being fired by Burrus, he formed ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Following the social and political upheaval of the French Revolution and the Napoleonic Wars, Europe enjoyed a short period of relative stability with Napoleon’s exile, the restoration of the Bourbon monarchy in France and the establishment of the Vienna Peace Settlement in 1815. However, in the early 1820s a number of minor revolts broke out in Naples and ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The Opéra-Comique company was established in 1714 to offer French opera as an alternative to the Italian opera that dominated the continent at the time. After several misadventures, which included a bankruptcy, the Opéra-Comique settled at the Salle Feydeau in 1805. Here, its essentially radical approach to opera soon became clear. At this time, composers such as ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

The first half of the nineteenth century was essentially a period of insurgence in Europe, from the French Revolution in 1789 to the series of uprisings that rocked the continent around 1848. Meanwhile, the Industrial Revolution was also underway, beginning in Britain, then spreading south through the rest of Europe. With these two strands of revolution came ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The early nineteenth century was a period of insurgence in Europe, beginning with the French Revolution in 1789 to the uprisings in 1848. The Industrial Revolution, which began in Britain before spreading south to the rest of Europe, was also making its mark. These two strands of revolution caused transformations in society: growing awareness of national identity, ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

The late Baroque era (1700–50) was a time of major political change throughout Europe, involving a shift in the balance of power between sovereign states. Across the continent it was a period of almost continuous warfare, the effects of which were later felt in other parts of the world as a result of conflicting ambitions among the various trading ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

By the beginning of the eighteenth century, opera was established in some form in most major European centres. The basic types of serious and comic opera in both Italian and French traditions shared similarities, although the content and style of an operatic entertainment could vary according to whether it was intended to flatter a private patron, resound with ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

The Académie Royale de Musique (now known as the Paris Académie de Musique or the Paris Opéra), has had many homes. The Académie opened in 1671, and from 1672–87 was largely controlled by Jean-Baptiste Lully (1632–87). In 1763, the building was destroyed by fire, as was the next building in 1781. The Opéra moved to rue de Richelieu ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie
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